Becket and her husband rented the building, and Marta Becket made her debut in 1968 at the renamed Amargosa Opera House. The building seemed to be saying, ‘Take me, do something with me, I offer you life.’ ” “I had the distinct feeling that I was looking at the other half of myself. “It was a theater! I couldn’t believe it,” she wrote in a biographical pamphlet. The Amargosa Opera House in 2005 shows a mural depicting 16th century Spain. She was riveted by the dilapidated social hall. Becket walked around the town, an borax mining complex built in the 1920s. She said she was on her way with her husband and manager, Tom Williams, to an engagement when their trailer suffered a flat tire near Death Valley Junction, about 95 miles west of Las Vegas. She became frustrated by what she once told The Washington Post were too many artistic compromises and greedy producers, so she created a one-woman show and went on the road.Īs an itinerant dancer, she played community centers and college campuses. Becket, a New York native, was a dancer who had performed in Broadway musicals and in the Radio City Music Hall’s corps de ballet in the 1940s and 1950s. Jeff Mullenhour, deputy coroner of Inyo County, Calif., said the cause had not been determined. Marta Becket, a ballerina who drew audiences from around the world to an abandoned Mojave Desert stage she adopted after being stranded near the ghost town by a flat tire in 1967, died earlier this week at her home in Death Valley Junction, Calif. By Staff Reports and News Services February 2, 2017
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